The event, which will showcase the works of 154 artists, is titled Recognizing Artists: Enfin Visible! (RAEV). The launch is free, open to the public and includes refreshments and munchies.
Read More at: MontrealGazette.com
The event, which will showcase the works of 154 artists, is titled Recognizing Artists: Enfin Visible! (RAEV). The launch is free, open to the public and includes refreshments and munchies.
Read More at: MontrealGazette.com
The third edition of the QDF launch, which took place last night (Monday March 7, 2011) at theRialto Theatre on Park Ave., was attended by about twice as many people as the previous edition, held at the Segal Centre. And this time they weren’t all friends and relatives of the performers. (Although they MAY have been Facebook friends or Twitter Followers.)
But I”m betting that the turnout could be even bigger the next time around (on June 6), judging from the loud applause and happy faces in the room. Yes, the refreshments, which included wine, beer and munchies, were really free of charge.
Read more at: MontrealGazette.com
Mais ce surnom lui vient aussi d’une chanson d’Erykah Badu. La belle aime à se faire appeler comme ça car, pour elle, une femme doit
être traitée avec respect et délicatesse. Odessa est originaire des Îles Grenades par son père et de la Barbade par sa mère. Elle vient au monde au sein d’une famille d’artistes et de musiciens. En effet, toute petite, elle grandit dans une ambiance festive et musicale ce qui l’influencera fortement dans ses projets et décisions d’avenir. Odessa remplacera très rapidement ses poupées par le violon, le piano ainsi que la danse sous toutes ses formes. C’est ainsi qu’elle se découvrira une réelle passion pour la création artistique quelle qu’elle soit… Chorégraphie, composition,… Elle développera ainsi très tôt une capacité exceptionnelle et innée pour tout ce qui touche à l’univers musical. Par la suite elle sera remarquée et invitée par le Cirque du Soleil à se joindre à leur troupe.
Read more at HERE. and catch Queen Odessa Friday March 11th 2011 at :
Jello Martini Lounge
Despite his lack of formal training (he couldn’t read music), he began to develop a unique style. Henry-François Gelot, Frappier’s manager and president of the label they co-founded, Trilateral Entertainment, said the rapper had a good ear, great rhythm and took a more integral approach to the instrument, rather than using it as a mere accompaniment. “He played mainly in the minor keys. That way it sounded more melodic and smooth.”
Read More at: TheGlobeAndMail.com
The play was written during a time of upheaval in Baraka’s life. He was divorcing his white Jewish wife and becoming what was called a black cultural nationalist. Dutchman reflects elements of this personal turmoil as well as Baraka’s forceful thoughts on the politics of race and the emerging of the black middle class at what he considered to be tremendous cost to the black man’s cultural heart and soul.
Greyson says he has managed to shift much of his focus and energy in the past few years, due to his teaching gig in film production at York University. “There’s some security there, and it means I don’t have to worry about having to do episodic [TV], and I don’t have any more meetings with Telefilm story editors.”
Read More at: MontrealMirror.com
Le Couscous Comedy Show, créé en avril 2009, accueille des humoristes issus de plusieurs communautés ethniques, comme les Dorothy Rhau, Jérémy Demay, Neev Bensimhon, Benjamin Marquis et Adib Alkhalidey.
Read more at: cyberpresse.ca
Tyrone Benskin, a Montreal actor who has a long list of credits in film, television and theatre, will represent the New Democrats in the riding of Jeanne-Le Ber, Que., in the next election.
Read more at: montreal.ctv.ca
With most of the audience seated on either end of the pool and actors emerging from a pit under the seats at the deep end, the impression of being in a sports arena is cleverly conveyed. (Kudos to set designer James Lavoie.)
Read more at: MontrealGazette.com