Did you know about…? Programs for emerging artists

1. Young Canada Works

For many of ELAN’s student members their studies have come to a momentary stop: final assignments and papers have been submitted, final art critiques and performances have passed. Student members can now enjoy a well-deserved break but the search for summer employment has become the next priority. Did you know that the Government of Canada has set up the Young Canada Works program for students returning to school (high school, college or university) and for recent college and university graduates.

It gives participants valuable skills within their field of study and the opportunity to be a part of a valuable community. Employments areas include: Aboriginal urban youth employment, Heritage organizations (museums and gallery settings), Both Official Languages, Languages at work, Building careers in heritage, Building careers in English and French. Curious?
Application is free.

Open your account by visiting here www.youngcanadaworks.ca/…/.

2. International Youth Offices of Québec (LOJIQ – Les Offices jeunesse internationaux du Québec)

LOJIQ, a powerful education and employment resource for today’s world. LOJIQ draws on the vitality and success of its member youth agencies and their outreach and involvement in regional, national, and international partnership networks to assist and support Québec youth (18-35 years old) who seek personal and professional development through rewarding and educational international mobility experiences.

LOJIQ offers a unique approach that includes international mobility project development, work sessions abroad, meetings with partners, knowledge acquisition, coaching, and follow up upon return. Through their experience with LOJIQ, young adults gain intercultural awareness and new qualifications while developing a better understanding of international socioeconomic relations.

Each year more than 4,700 young Québec adults travel abroad to complete projects and network with youth in other countries. Areas that participants travel to include: France, Wallonia-Brussels, the Americas, Europe, Asia and Oceania

LOJIQ has on-going travel calls for submissions with funding both for projects it develops and for self-initiated projects proposed by prospective participants. Participants come from diverse backgrounds from the sciences to arts and cultural. The next deadline for proposals is September 30, 2011 for projects in mid-December 2011 to March 2012. For more information, contact 1 800 465-4255 and they will gladly assist you in the language of your comfort (English or French).

3. The Elizabeth Greenshields Foundation

The Elizabeth Greenshields Foundation offers the largest private individual artist grant for visual artists in Quebec. It is a $10,000 grant to young artists who are practicing in traditional art forms in painting, drawing, sculpture and printmaking. Usually, these grants are used for travel abroad or for artistic development through study. Candidates may have already started or completed training in an established school of art; and/or demonstrate, through past work and future plans, a commitment to making art a lifetime career. Application is on-going.

 

How Do We Get Theatre, and How do we Tour it[ Charlebois Post: David King]

While notable literary, visual and media artists thrive within Quebec’s “carré anglo hoods”, so to speak, importing and disseminating performing arts or solidifying drama programs in schools remain some of Quebec’s biggest obstacles to us, regardless of region or language. The expense and accommodation requirements for English-language theatre outside of Montreal is monstrous in touring English-language theatre within Quebec, and venues range from the ill-equipped to non-existent. To date, youth theatre Geordie Productions has managed to make itself most known within other regions of Quebec, due to its history, important lobbying efforts, quality programming and school touring system. It has been no easy feat for Geordie, who undoubtedly has seen countless cuts to both drama programs and school production budgets along the way.

Read more at: Charpo.blogspot.com

Bourses de 5000$ du Centre St-Ambroise de retour en 2011 $5000 Centre St-Ambroise Bursary Program Returns in 2011

 

Le Centre St-Ambroise annonce les gagnants de son programme de bourses!

Brie Neilson, Cécile Doo-Kingué, Rob Szabo, Matt Stern et Mike Evin ont mérité 1000 $ chacun puisqu’ils sont les gagnants du programme de bourses du Centre St-Ambroise 2010. Ce programme de bourses sera d’ailleurs de retour en 2011!

Continue reading

MemeFest International Festival of Radical Communication: Submission deadline, Jan 20

(Received from David Widgington. Thanks for the heads up!)

MemeFest Festival of Radical Communication is an interesting competition with considerable creative possibilities for writers, visual artists, web developers, academics, videographers, graphic designers and anyone else who thinks outside the box with creative  ideas for subversive communication. The Jan 20, 2011 deadline is rapidly approaching so people are encouraged to adapt work they’ve already produced to fit this year’s theme.
The theme of this year’s competition is:

LOVE : CONFLICT : IMAGINATION     Love is power. Power is conflict. Love is conflict.

DEADLINE: January 20, 2011

PRIZES: 20 chosen participants will be invited to take part in a special Memefest radical communication workshop in Nijmegen, Netherlands in June 2011. All costs covered. Workshop will be mentored by a special group of Memefest’s mentors.

for further details visit: http://www.memefest.org/en/competition/intro/

People are also encouraged to join the Memefest Community to share ideas and participate in the discussion.

Please spread the word. And submit your work.

Call For Submissions:National Program to Inspire Aboriginal Youth Achievement in Writing and Visual Arts

Source: www.firstperspective.ca

 

Toronto – January 10, 2011 – The Historica-Dominion Institute is calling on Aboriginal youth between the ages of 14-29 to explore an aspect of Aboriginal history through the literary and visual arts. This year, The Canadian Aboriginal Writing and Arts Challenge (http://www.our-story.ca) celebrates seven years of the Writing Challenge and proudly announces its inaugural foray into visual arts. Participants have a chance to earn national recognition and win up to $2000 in cash prizes as well as a trip for two to Toronto for a special awards ceremony attended by Aboriginal leaders, writers and artists.

“The Institute hopes to inspire a new generation of Aboriginal voices to share their stories and artistic expressions with Canada through the expanded Challenge this year,” says Jeremy Diamond, Director of Development and Programs, at The Historica-Dominion Institute’s National Office. “We look forward to receiving wonderful and creative submissions, both writing and visuals arts, and celebrating another year of Aboriginal achievement.”

Stories and artwork will be assessed by two impressive juries made up of some of Canada’s most celebrated Aboriginal leaders, writers and artists, including Giller Prize winner Joseph Boyden, playwright and author Drew Hayden Taylor and artists Kent Monkman and Maxine Noel.”

For the complete press release,please go here: firstperspective.ca
For more information on submissions, please go here: our-story.ca

Studio XX: Call for artist submissions( Jan 14th 2011)

 

 

Studio XX announces Call for submissions .dpi #20

 

Theme: Liberty in Question

Editor-in-Chief: Aude Crispel

Deadline for proposals: January 14, 2011

Deadline for final submissions: February 4, 2011

Date of publication: March 8, 2011

 

Proclaimed in hymns, laws and mottos, liberty is a fundamental principle of our independent and/or democratic societies. This evidence follows through centuries, yet this universal concept seems systematically disavowed in “virtual” societies. Through Internet browser advertisements, email indexing and government censorship, not to mention the United States of America’s Patriot Act or HADOPI in France, would liberty so emblematic of a progressive society be so easily questioned? Would our libertarian ideal disappear into the digital?

 

Artistic and cultural resistance occurs in unconventional forms, acts and places. However, from the obscurantism of certain groups to the benevolent discourses of multinationals, are we able to identify all of the issues that presuppose countless collections of data?

 

We welcome submissions in textual (article, column, review, interview, case study, etc.) and artistic multimedia (podcast, video, audio, locative media, animation, design, etc.) form which expand upon the themes of individual and collective liberty within networks. We encourage contributions featuring media content; authors/artists are responsible for clearing all copyright attached to this content.

 

Proposals should include an abstract (300 words) and a biography (100 words).

 

Submissions are welcome in English or French.

 

Compensation: $100 – $175 (depending on number of accepted submissions) and a vast worldwide readership of your work.

 

Please send submissions to: programmation (at) studioxx.org

 

 

dpi.studioxx.org

 

The Economist Film Project seeks submissions from independent filmmakers

The Economist Film Project is an initiative by The Economist, in partnership with PBS NewsHour, to showcase the work of independent documentary filmmakers from around the world. From Abu Dhabi to Albuquerque, from astronomy to agriculture, the project will feature films whose new ideas, perspectives, and insights not only help make sense of the world, but also take a stand and provoke debate. The Economist and PBS NewsHour will jointly curate the project to choose films by filmmakers who share these goals. Selected films and the topics they explore will be the subject of news segments airing regularly on PBS NewsHour beginning in March 2011 and continuing through 2011 and into 2012.

The project seeks submissions of completed documentary films on a rolling basis beginning January 10, 2011 and continuing monthly through January 2012. Both documentary shorts and feature-length films may be submitted. The Economist will provide filmmakers whose films are chosen with a grant of $4,000 to produce six to eight minutes of footage from the film (or footage captured during the making of the film) for airing on PBS NewsHour as part of the segment. NewsHour plans to feature approximately three films each month. After airing, the film-oriented news segments will be packaged independently and given additional exposure through various outlets, including this website, The Economist‘s YouTube channel and Facebook fan page, and the PBS NewsHour website, YouTube and Hulu channels. Our goal is to showcase the selected segments, films, and filmmakers as broadly as possible.

Source: http://film.economist.com/about.php