Did you know about…? Programs for emerging artists

1. Young Canada Works

For many of ELAN’s student members their studies have come to a momentary stop: final assignments and papers have been submitted, final art critiques and performances have passed. Student members can now enjoy a well-deserved break but the search for summer employment has become the next priority. Did you know that the Government of Canada has set up the Young Canada Works program for students returning to school (high school, college or university) and for recent college and university graduates.

It gives participants valuable skills within their field of study and the opportunity to be a part of a valuable community. Employments areas include: Aboriginal urban youth employment, Heritage organizations (museums and gallery settings), Both Official Languages, Languages at work, Building careers in heritage, Building careers in English and French. Curious?
Application is free.

Open your account by visiting here www.youngcanadaworks.ca/…/.

2. International Youth Offices of Québec (LOJIQ – Les Offices jeunesse internationaux du Québec)

LOJIQ, a powerful education and employment resource for today’s world. LOJIQ draws on the vitality and success of its member youth agencies and their outreach and involvement in regional, national, and international partnership networks to assist and support Québec youth (18-35 years old) who seek personal and professional development through rewarding and educational international mobility experiences.

LOJIQ offers a unique approach that includes international mobility project development, work sessions abroad, meetings with partners, knowledge acquisition, coaching, and follow up upon return. Through their experience with LOJIQ, young adults gain intercultural awareness and new qualifications while developing a better understanding of international socioeconomic relations.

Each year more than 4,700 young Québec adults travel abroad to complete projects and network with youth in other countries. Areas that participants travel to include: France, Wallonia-Brussels, the Americas, Europe, Asia and Oceania

LOJIQ has on-going travel calls for submissions with funding both for projects it develops and for self-initiated projects proposed by prospective participants. Participants come from diverse backgrounds from the sciences to arts and cultural. The next deadline for proposals is September 30, 2011 for projects in mid-December 2011 to March 2012. For more information, contact 1 800 465-4255 and they will gladly assist you in the language of your comfort (English or French).

3. The Elizabeth Greenshields Foundation

The Elizabeth Greenshields Foundation offers the largest private individual artist grant for visual artists in Quebec. It is a $10,000 grant to young artists who are practicing in traditional art forms in painting, drawing, sculpture and printmaking. Usually, these grants are used for travel abroad or for artistic development through study. Candidates may have already started or completed training in an established school of art; and/or demonstrate, through past work and future plans, a commitment to making art a lifetime career. Application is on-going.

 

Colleen Curran at the Centaur

True Nature is one of two world premieres included in the six-play subscription season. The other is Morris Panych’s In Absentia, about a woman living alone in a chalet awaiting the return of her husband who has been missing for four years (Jan. 31 to March 4).

While not a premiere, the Centaur production of Haunted Hillbilly promises to be an updated version of an edgy Country and Western musical initially produced at the Segal Studio. Adapted by Graham Cuthbertson from a novel of the same title by Derek McCormack, with music by Matthew Barber and Cuthbertson, this Sidemart Theatrical Grocery creation will be directed, again, by Andrew Shaver (May 8 to June 3).

Read more at MontrealGazette.com

Theatre for Thought[ Joel Fishbane: CharPo]

Montreal’s stages are a breeding ground for new theatre, but once the initial production is over, it is a constant challenge for artists to help the new work mature. Our stages are filled with the echoes of the innovative:  Penumbra (Rabbit in a Hat),  Johnny Canuck and the Last Burlesque (Mainline Theatre) and  Life is a Dream (Scapegoat Carnivale) are all examples of recent shows which are each a paradise lost: each deserve further development and each will probably have to go somewhere else to get it.

Although independent artists are starting to make the jump to the mainstream our shows are rarely as fortunate.
Read more at: Charpo.blogspot.com

Sundance honours to Montrealer Jerome Sable for horror musical short ‘The Legend of Beaver Dam’

Sable, of Montreal, screened his movie The Legend of Beaver Dam in the international short film program. The horror-musical is about a group of campers threatened by an evil monster after a ghost story told around the campfire awakens it.

Sable said he and fellow screenwriter Eli Batalion set out to redeem the musical genre with their campground tale.

Choke, directed by Michelle Latimer, was screened in the aboriginal filmmakers showcase. (Sundance Film Festival)“The perception of musicals nowadays seems to be dominated by some very, very cheesy stuff and, to us, that’s really too bad,” Sable said.

“With Beaver Dam and with [planned feature film] Stage Fright, we want to try to bring some balls back to the musical.”

Excerpt from 2 Canadians get Sundance honours. Read the full article on www.cbc.ca/arts

MemeFest International Festival of Radical Communication: Submission deadline, Jan 20

(Received from David Widgington. Thanks for the heads up!)

MemeFest Festival of Radical Communication is an interesting competition with considerable creative possibilities for writers, visual artists, web developers, academics, videographers, graphic designers and anyone else who thinks outside the box with creative  ideas for subversive communication. The Jan 20, 2011 deadline is rapidly approaching so people are encouraged to adapt work they’ve already produced to fit this year’s theme.
The theme of this year’s competition is:

LOVE : CONFLICT : IMAGINATION     Love is power. Power is conflict. Love is conflict.

DEADLINE: January 20, 2011

PRIZES: 20 chosen participants will be invited to take part in a special Memefest radical communication workshop in Nijmegen, Netherlands in June 2011. All costs covered. Workshop will be mentored by a special group of Memefest’s mentors.

for further details visit: http://www.memefest.org/en/competition/intro/

People are also encouraged to join the Memefest Community to share ideas and participate in the discussion.

Please spread the word. And submit your work.

25th Annual Vision Gala Martin Luther King Jr. Award Winner Mr. Doudou Boicel

Doudou Boicel is part of the history—indeed, the very walls—of the city of Montreal. He was one of the first -immigrants of colour to contribute to Montreal’s cultural development. Doudou was a promoter of jazz, blues, -salsa, R&B and reggae concerts, and also produced a number of radio and television broadcasts in -co-operation with Radio-Canada.

Read more at: Blacktheatreworkshop.ca

Studio XX: Call for artist submissions( Jan 14th 2011)

 

 

Studio XX announces Call for submissions .dpi #20

 

Theme: Liberty in Question

Editor-in-Chief: Aude Crispel

Deadline for proposals: January 14, 2011

Deadline for final submissions: February 4, 2011

Date of publication: March 8, 2011

 

Proclaimed in hymns, laws and mottos, liberty is a fundamental principle of our independent and/or democratic societies. This evidence follows through centuries, yet this universal concept seems systematically disavowed in “virtual” societies. Through Internet browser advertisements, email indexing and government censorship, not to mention the United States of America’s Patriot Act or HADOPI in France, would liberty so emblematic of a progressive society be so easily questioned? Would our libertarian ideal disappear into the digital?

 

Artistic and cultural resistance occurs in unconventional forms, acts and places. However, from the obscurantism of certain groups to the benevolent discourses of multinationals, are we able to identify all of the issues that presuppose countless collections of data?

 

We welcome submissions in textual (article, column, review, interview, case study, etc.) and artistic multimedia (podcast, video, audio, locative media, animation, design, etc.) form which expand upon the themes of individual and collective liberty within networks. We encourage contributions featuring media content; authors/artists are responsible for clearing all copyright attached to this content.

 

Proposals should include an abstract (300 words) and a biography (100 words).

 

Submissions are welcome in English or French.

 

Compensation: $100 – $175 (depending on number of accepted submissions) and a vast worldwide readership of your work.

 

Please send submissions to: programmation (at) studioxx.org

 

 

dpi.studioxx.org